Case Overview – Project headline and key visual
Covert Affairs - TV Series (Show #311)
NBCUniversal / USA Network
Client Testimonial – International Producer Quote on First Collaboration
“We first hired Progressive Productions in Budapest to produce a large shoot for "Covert Affairs" with us. The scenes involved heavy dialogue scenes with our lead actors, car crash stunt sequences, weapons, difficult locations like a trainyard, and it went extremely well and we had an excellent experience.”
Rajeev Dassani - International Producer, Master Key Productions (Los Angeles)
Case Overview – Two-Episode Scope & Production Complexity
We had the chance to manage the shoot of not just one, but two episodes of USA Network’s popular show Covert Affairs. The first episode we shot in Budapest was pretty challenging, and the second one proved to be no different.
Case Media – Series Trailer & Narrative Setup (YouTube)
Shoot Logistics – Train Station Permits & Track Control
For the second episode we controlled 5 tracks over 2 days in the biggest train station in Budapest for a chase scene filled with stunts and weaponry. It is quite possible that this was our toughest project location management-wise. First of all, we had to change the trains’ schedules and close down several tracks to be able to film the scene. Fortunately, we maintain a very good relationship with the people there, so we managed to close down 5 tracks and shoot everything according to plan.
Case Media – Train Station Arrival Scene
Stunts & Action – Chase Choreography & Stunt Execution
The action was choreographed perfectly second by second, and it looked amazing thanks to the many actors and extras running all around the tracks. In addition, the star of the show, Piper Perabo, more precisely, her stunt double, had to jump across the tracks in front of an approaching train.
Case Media – Chase Sequence Platform Run
Production Challenge – Multi-Day Continuity & Railway Shooting Risks
It was also a challenge to match everything from the two separate shooting days: the one with Piper and the one with her stunt double. Every detail had to look the same as it did on the first shooting day. The trains had to be at the exact same spot and everything had to match. Normally, the train stations do not allow shoots on Mondays (the busiest day of the week for them), but we managed to make it happen. Unfortunately, it was not possible to totally close down the tracks that day, so we had to shoot while constantly being aware of the trains. It required intensive location management to keep everything working perfectly and safely.
Case Media – Behind-the-Scenes Production Overview (Video)
Case Highlight – Project Reflection & Team Experience
We are really proud that we could participate in the making of such a great series, and we will always cherish the memories of these thrilling shooting days.
Behind-the-scenes image gallery
Call to Action – Get in Touch
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